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Glass On Metal

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Glass Fused To Metal
(Enameling)

Enameling is glass fused to copper or other metal at high heat.

For more information about how I create these enameled works, please see my pictorial demonstration of The Enameling Process.

Medano Morning

Medano Morning
Enameled copper, 14" x 11"

A bright October morning at Great Sand Dunes National Park & Preserve inspired this piece. Frost and fallen cottonwood leaves nestle in deer tracks deep in the sand of the dunes by the bank of Medano Creek.

Red Rock Rhythms

Red Rock Rhythms
Enameled copper, 8" x 10"

This piece, inspired by Red Rock Canyon near Pikes Peak, Colorado (a property protected as open space), was created for the Palmer Land Trust "Art for Land's Sake" benefit art sale.

Archivist

Archivist
Enameled copper; 8" x 8"

This chuckwalla and petroglyph rock seen in Grand Canyon inspired this piece in which translucent amber enamels allow the color of the copper to shine through, contrasting with the sandy opaque enamels of the petroglyph rock. The opaques were mixed with adhesive, dried, and scratched through (sgraffito technique) to reveal the underlying enamel from previous firings, then under-fired to the point of glass grains fusing to the metal but retaining a sandy, rough appearance and texture ("sugar fired").

Waters From Stone

Waters From Stone
Enameled copper, silver foil; 20" x 16"
 

In this piece, textures in the stone were made using the sgraffito technique, including scratching through the first unfired coat of enamel to reveal bare copper, which oxidizes black on firing. The brightest greens in the foliage surrounding the falls was made by applying tiny pieces of silver foil to the previously-fired enamel, then firing transparent green enamels over the silver. The silver reflects light back through the clear green glass, giving added brilliance.
 

The quotation (hand-inscribed using sgraffito technique) -- is John Wesley Powell's description of this site; he named the place Vasey's Paradise after the botanist on one of his Canyon expeditions. Water seeps down through the limestone, hits an impermeable rock layer, and emerges at several points in the Canyon, creating riparian micro-ecosystems from bare rock; great blue herons walk the shores within the canyon.

Canyon Heart

Canyon Heart
Enameled copper, silver foil, 10" X 8"

Reflections in a pool in North Canyon, Grand Canyon. Smooth, brilliant reflections shine among shadowed sandstone. In this piece, the powdered glass depicting the surrounding sandstone is underfired, giving a rough, grainy texture, while the enamels depicitng the pool and reflections are smooth and translucent.

Benediction

Benediction
Enameled copper, 9" X 12"

Inspired by Deer Creek Falls, Grand Canyon. The enamel depicting the foreground cliffs was scratched through (sgraffito technique) before the first firing, exposing the underlying copper; in firing, the copper oxidized to black. The ridges and crevices in the cliffs create physical variations, giving a slight relief surface.

Granite Rapid, Evening

Inner Canyon Evening
Enameled copper; 10” x 8”

In this piece, inspired by camping at Granite Rapid on a Grand Canyon river trip,the glow of the higher cliffs catching the last sunlight is captured in copper under transparent enamels. Water details were made using painting enamels (the glass ground very finely, to consistency of paint; painted on and fired).

Canyon Lifeblood

Canyon Lifeblood
Enameled copper; 16” x 18”

To read an account of the inspiration for this piece and for "Oasis" (below), during my artist residency at Grand Canyon National Park, click here.

Oasis

Oasis
Enameled copper; 15” x 18”

Circumference

Circumference
Enameled copper; 20” X 16”

Palimpsest

Double click the image to see "Palimpsest" at a different angle to the light.
Single click to return to the original angle.

Palimpsest
Etched and enameled copper, silver foil, hand lettering; 15" square

Quotes In Palimpsest

Through our eyes we inhale light and images - light and images we share with every being on earth. And out of our eyes we exhale a light or a darkness that is the spirit in which we perceive.

--My Story As Told By Water
David James Duncan

But some say dust is the beginning,  its slow accumulation and eventual density in space resulting in the formation of great rolling nebulae, in the emergence of expansive galactic clusters, the collapse of heavy stars into themselves. Dust, in the right circumstances, can make its own light.

--"A Self-Analysis of Dust"
Pattiann Rogers

But as my sight by seeing learned to see,
The transformation which in me took place
Transformed the single changeless form for me.

--Paradiso
Dante

Make of yourselves a light

--Buddha

Let mine eye bless all it sees

--Gaelic blessing

Light upon Light

--The Qur'an

Jaguar Night

Jaguar Night
Enameled copper; 16” x 20”

Garden Party

Garden Party
Enameling on steel; 20” x 16”

Contemplation

Contemplation
Etched and enameled copper; 12” x 18”

This desert iguana's skin texture was created by etching the copper before applying any enamel. Transparent gold-tone enamel was applied over the entire etched area, so one looks through the enamel to see the different layers of metal that were etched (basse-taille technique). The green tint seen on the iguana and branch is an oxide of copper that forms under thin, highly-fired enamel. The black immediately surrounding the iguana and branch is bare copper, deeply oxidized from multiple firings. Opaque red and yellow enamels were used for the bright prickly-pear cactus blossom.

 

Pat Musick - musickstudio